Fine art photography begins as an idea, a feeling, a vision that slowly takes form through the lens. For me, the process doesn’t end with the digital image; it culminates in the tactile reality of a printed photograph. Printing is not just a final step. It is a return to presence, where the image becomes something you can hold, frame, and live with.

Since I was a child, I had the chance to observe artists who were close friends of my parents. Watching them work with patience, precision, and deep respect for materials shaped my own sensibility over time. That early exposure helped refine my eye and taught me the value of craftsmanship, especially when it comes to printing.

I believe in the importance of using high-quality, archival papers that honor the integrity of each image. A well-made print carries depth, texture, and emotional weight in a way that screens never can. It invites a slower gaze and a more intimate connection. When an image is printed with care, it can last for generations, preserving not just the visual moment but also the memory and emotion behind it.

That is why I print my work using museum-grade papers and pigment-based inks such as Epson UltraChrome HDR. This process uses eleven distinct inks to achieve an exceptional range of color, smooth tonal gradations, and fine detail, at resolutions up to 2880 DPI. Each print is not only visually rich but also physically durable.

Sharing my photographs in print is essential to my practice. It allows viewers to engage with the work in a deeper, more reflective way. Every print becomes a unique encounter, where each person finds their own meaning, emotion, or memory within the frame.