Every fine art print starts as a file, carefully processed and color-corrected for the paper it will be printed on. Rather than standard dye-based printing, each image is produced using archival pigment printing — often called giclée — because pigment inks hold their color and resist fading for decades under proper display conditions.

This approach goes back to a course in fine art photography and printing techniques taken in 2018 in San Martín de los Andes, Argentina, under photographer Eliseo Miciu — the same foundation behind the prints now shown in an exhibition on horses and gauchos of the Argentine countryside, presented in Paris.

The prints are made on 100% cotton, acid-free paper, chosen for its texture, depth, and longevity. Cotton rag doesn’t yellow or break down the way wood-pulp paper does, which matters for a piece meant to be lived with for years to come.

Each print is produced in a limited, numbered edition and signed by hand. Once an edition is complete, no more prints are made at that size — every piece is a genuine, traceable original rather than an open-ended reproduction.